Remember ME - You Me and Dementia

March 19, 2008

BELGIUM: Hugo Claus, Flemish Author of `Sorrow of Belgium,' Dies by Euthanasia at 78

ANTWERP, Belgium (Bloomberg), March 19, 2008:

Hugo Claus, the Flemish author best known for his novel "The Sorrow of Belgium," died this afternoon in an Antwerp hospital after a long battle with Alzheimer's disease, his publisher De Bezige Bij said. He was 78.

Claus chose the moment of his death by requesting euthanasia, the publisher said in a statement made at the request of the author's family. Under Belgian law, euthanasia is allowed under strict guidelines.

(Seniors World Chronicle notes that in the Flemish region Antwerp is known as the City of Sudden Death)

Born in Bruges on April 5, 1929, Claus came of age during the Nazi occupation of Belgium, whose grim years he evoked in his 1983 magnum opus about a Flemish boy who struggles to become a writer, "Het Verdriet van Belgie" ("The Sorrow of Belgium"). Spanning the years 1939 to 1947, the novel offers an unflattering portrait of his homeland, tracing the fate of a collaborationist family as peace crumbles into war and survival.

Photo: EuroNews.

Versatile and prolific, Claus was also a painter, poet, playwright and art critic. He won numerous literary prizes, both in Belgium and in the Netherlands, including the 1986 Prijs der Nederlandse Letteren. Throughout his writing career, he remained keenly aware of how his works related to literary and artistic traditions, be they Flemish, Belgian or European.

Yet what he is often remembered for in Belgium, for better or for worse, is his earthy, often base view of his fellow man. Jealousy and envy simmer under the surface of his novels about ordinary families, as they do in "Omtrent Deedee" ("About Deedee") in which a yearly gathering of a Flemish family boils with sexuality and violence.

"The spirit that broods over his trampled motherland is that of Hieronymus Bosch," author J.M. Coetzee wrote in an appreciation of Claus published by the Guardian last year.

"He harks back to the same late-medieval folk imagination, with its bestiaries and gnomic sayings, upon which Bosch drew for his vision of a world gone mad."

Brussels-based James Pressley
writes for Bloomberg News. The opinions expressed are his own. jpressley@bloomberg.net